Friday, December 26, 2008

dressing an invisible, flat person

LTLYM assignment # 55


I have another polaroid of a more recent significant outfit, but my parents' scanner just e-barfed everywhere. It's a piece of junk. I think it was maybe the first scanner ever invented? The title/description of this outfit is forthcoming. Maybe. 

Also, Christmas. Happy late Christmas. Presents are forthcoming. Maybe. No, presents really are forthcoming. Get excited.

Tuesday, December 16, 2008

Wolfspeak

WOLFSPEAK
by Dean Young

It's like Blueberry saying she's a lake
and all people can do is dump in her
busted refrigerators.
No, it's like you spend half your life kicking
the supports out from under stuff
to prove everything can float
and even though everything collapses,
So far, you say, so far.
No, it's like you're repeating yourself,
which is actually a bad copy of someone else
saying the world's a dream
of someone who's eaten nothing
but praying mantises for weeks.
No, the world's a dream
of someone eating the world
then throwing half away because
a banquet's not a banquet unless half's thrown away.
Well maybe, but it's also like you're digging
in the garden and you hear screaming
then thank god you missed the baby rabbits!
Well, if you're going to bring god in, 
it's like god wanted to hide you
only you got tired of waiting to be found
so you leapt into the garage light
and said Here I am
which scared the mignon out of everyone
because you are a wolf.
You know the deal.
How everything unlaces.
You have a halo.
Sometimes you trot into town to drink from swimming pools
even though you know it's bad for you.
People misunderstand your smile.
Also lakes
and the inner flotation of all things.
Nothing is ever lost.
You can't forget where you are
when you're never anywhere
like a star. The star's coloring book 
is just like yours, the universe.
Almost none of the black crayon's left.
People misunderstand black crayons
but put a baby rabbit in their mitts,
they'll feel immense panic. 
Maybe not right away
but soon and forever.

Friday, December 5, 2008

She was watching a movie, one that she watched every day. It was her wedding video, or at least a video of what her wedding would have been like, if the world hadn't ended, if her boyfriend had lived long enough to propose to her. 
She lay on her belly on her bed, feet kicking in the air behind her, and said "Forward," so the image in the monitor, as big as her window on the opposite wall, blurred and accelerated, until she slowed it down at the reception. Some days she just listened to the blessing of the minister, a big lesbian looking lady in a purple dress that made her look like Grimace the milkshake monster, and some days she just watched when the camera took a slow track along the buffet table, feeling nostalgic for the salmon fillet and miniature quiches that she had never tasted. And some days, when she was feeling up to it, she watched the dancing, hugging her pillow while her new husband — they were twenty-five when they married and age only made him more handsome — spun her around to a bluegrass tune. She had never imagined that she would have banjos and autoharps at her wedding, and yet from the first time she heard them she knew the angel had got it all just right, just as it had been, and just as it never would be. The exchange of vows never got to her, but somehow the dancing always did her in. While her father called out that her sausage was getting cold, she cried and cried.

Tuesday, December 2, 2008

squid squid

What's your squid name?

Mine is Ravenous Sarah the Leviathan.

Monday, November 24, 2008

Piedra

I finally got to meet Sweetie Pedie! She was born at 12:09 this morning, and she is so beautiful and tiny. Her full name is Piedra Sage Jones, and she is named after the prettiest canyon in Colorado (I suggested Piedra Obama Jones, but I like Sage, too). She is very vocal and makes squawks and sighs to Gretchen nonstop, and Dennis said she sounds like a squeaky toy. She has those tiny fingers and toes that always remind me of a tree frog for some reason. Dennis also said she makes old man faces, because she scrunches her face up like potato. She looks like her parents. Gretchen was on the phone with her sister in Africa, and Dennis was changing her diaper, and Piedra was not happy so she started bawling, and Dennis said, "Well, she is real," and I said, "Yes, she is very real."
You can't see her very well in the pictures — she's just a tiny head poking out of the blankets — but the photos are great anyway (visit their blog soon for updates and more photos; with a professional photographer as a father, Piedra had better get used to having her picture taken). None of us could decide what to do with our glasses, so they're in various states of disarray. My favorite is the one where G is taking off her glasses; she looks like a librarian studying Pedie: 


Meeting Piedra for the first time made me think about the day Emmy was born. I remember the dish of hard candy in my mom's hospital room. My parents have always told me that since I was a C-section baby, I didn't cry at all when I was born. I just looked around at everyone. But not Emmy. Emmy screamed and screamed and screamed, and her head was lopsided, and her face was red and angry. Sometimes my parents still tease her about this. Even though she's cuter than me now, newborn-wise, I'm the winner. 
I remember even earlier than that day, too; I was lying stretched across the coffee table (kids are weird), and my mom was sitting on the floor in front of the fireplace, which was made from big blue bricks and looked like some ice furniture from the White Witch's castle. She told me that I was going to have a baby sister. I don't remember what my reply was, but I remember thinking something like, "WHY?"Also, I remember my dad asking me which name I liked best for the baby: Emmalynn or Emmaline. (My mom was reading Anne of Green Gables). I wanted to name her Lacey, but my input was ignored, because she became Emmalynn. Obviously. In retrospect, I'm glad they didn't let their less-than-three-year-old choose a name, because Lacey is a hideous name, like if I named my daughter Doily or Tea Cozy.
When I was five, we adopted a puppy, and I insisted on naming her Lacey. She slept in a box with blankets, and my dad put a clock in the box so it would sound like her mother's heartbeat. I remember I thought that was so odd, that her mom's heartbeat was folded up with all the cogs and gears of the clock. I pretended Lacey was my baby, and I swaddled her and held her against my chest so she could hear my real, ticking heart, not the strange cogheart.
Whoops, tangent. Anyway, welcome to the world, Baby Jones! Piedra's a lucky girl to be brought into the world by such amazing and loving people. Also, she's lucky to have such brave parents, because I think so much courage and faith brought Dennis and Gretchen together. I'm not just talking about the note Gretchen wrote Dennis, or Dennis moving to Maine, but the fact that they both acknowledged wholeheartedly that they were made for each other. Because that's a terrifying thing to do, to tell someone how you feel, and give them your heart. It's the second scariest thing in the world (after velociraptors). But obviously worth it.  
I love all three of you. And please tell Shelby that Pedie is NOT a squeaky toy.

Sunday, November 16, 2008

Muttnik



Muttnik

As she burned, immolated inside Sputnik II, 
Laika barked out warnings to the dogs 
tied up in snowy fields below
whose owners loved furniture more, 
and the dogs raised muzzles to the stars 
with nothing to keep them company 
but the moon overhead and their own long howling.

I'm reading Sputnik Sweetheart, and it reminded me of my ol' friend Laika. I've always thought Roxie looks a bit like Laika. Well, I guess more like the dog who is Laika in that one video. On a side note, I hope the Obamas rescue a shelter dog.


Thursday, November 13, 2008

that's right, touch it, it's called girlface!

Thank you, Slog, for introducing me to the wonders of dubbing over soap opera footage. Deven Green, you're right up there with Brad Neely. 

Sunday, November 9, 2008

gone

RIP hard drive. All of my writing from May 2007 to present is gone, lost to that ephemeral world where I imagine all digitally-trashed files go. I haven't yet decided if I want to pay $300-900 to recover my files (eeew, are you crazy, Mr. Mac Shack guy!?), as all of my music, pictures, and older stories were safely tucked away on Em's external. (Speaking of older stories, why did I write so many poems about giraffes in 2006? Mystery)! 

So I guess the only things *really* gone are my newer stories and poems and that one weird file labeled simply "various" that contained mostly funny pictures/videos/etc I've gleaned from the webs (so long, photos of cats dressed in Harry Potter scarves and videos of singing muppets). 

I cried on Friday in the Mac store when I found out it was all gone. Lesson learned. My new hard drive will be guarded more stringently than Minas Freaking Tirith.

So, to the point of this longwinded, Biden-esque explanation of the death of my hard drive: please, please, please let's start some sort of exquisite corpse/writing group/something. It can be totally casual, and we can do it IRL but also do some sort of email-y thing to include those of you who are lost to geography. I don't care. I really just want to write some new stuff with my friends. 

Okay. Neato. Let me know.

"... a quiet, meticulous waiter who had the sad airs of a man long accustomed to the spectacular demolition of dreams."

Tuesday, October 28, 2008

bat chat

1:12 PM Amber: oh yeah
hey
finger bones
what are they called?
1:13 PM  me: phalanges?
Amber: like feet bones are called metatarsals...
me: oh right
Amber: yeah, I wasn't sure
me: carpals
Amber: i haven't fractured my fingers
just everything else
ooooooooooooh
sweet
yeah
cool
me: *metacarpals
1: 14 PM Amber: okay, neato
META
me: omg, you're so meta
1:15 PM you're so pomo
1:16 PM Amber: oh yeah, totally. i know. it's awesome.

Wednesday, October 8, 2008

"I'll keep my cell phone in my apron so we can text each other"

I took a three hour nap on the couch today in my underwear, during which I had weirdo dreams involving waiting tables and Tetris. I just got a brain freeze from eating applesauce too quickly. Now I'm going to put in The Adventures of Baron Munchausen (inspired by Neil Gaiman's anecdote last night about Terry Gilliam just popping by for tea while he was working on Mirrormask) and probably pass out cold on the couch again. 

When I'm not feeling like this, I'm glad my routine of couch-sleeping, work, and the innernettes is occasionally peppered with awesomeness, like hearing Gaiman read last night (although I was slightly embarrassed when someone asked if it were true that he's going to write an episode for Doctor Who and I yelled "OH SHIT!"), and The Silver Jews last Sunday, and Sigur Ros a couple weeks ago, and my planned trip home this weekend to see the fall colors and go to the pumpkin patch with my mom and play with my Tamale Mollie listen to dad and Em play the banjo/mando. 

Also, I'm glad Yam-bear and I can connect via texts while we're at work; of course, her apron is undeniably cuter than mine. 

Tuesday, September 30, 2008

thanks drew

We love the camera. (We being me and my dogs). Thank you.

Yay! This is us hugging and celebrating the new camera!


Mollie, some berries, and so much happiness. 

She looks just like a spinosaurus in this photo. The new camera is bewitched, I'm certain.

Monday, September 22, 2008

the unruly beloved emu

I haven't posted in a while. I've been busy (kind of. I've also spent a lot of time flâneuring 'bout the town). Et, je suis paresseuse.  A few big things:

Firstly, Four Corners. Aug 29-31. Friday I emceed the late night stage, then overdid it a bit on the partying (Scott ran down the street naked and got the cops called on us; Marykate subsequently yelled "The strippers are here!" when the cops knocked on the door), so Saturday was a little more low-key. Well, until the evening, when I slipped and fell in the mud dancing to the Punch Brothers, emceed the late night stage again, and listened to the jams until 3:30 a.m. Sunday, despite (or perhaps because of) the rain, was the best day: two-stepping with a bit of swing dancing under the tent. That's all that I need to say. For those of you who missed it: come next time! For those who were there: high five! See you next year. I'll be the one with a bottle of Maker's Mark in one hand and a mic in the other (just kidding, I don't drink while I'm working. Complete professional, I am, sir).

Secondly, Dennis and Gretchen are MARRIED! Sept. 6, in Sedona (well, in between Sedona and Flagstaff, I guess). They were married in a sun-filled red canyon, and Emmy and I played in a nearby creek before the ceremony. I've never been hiking in a dress before. "I'd like to introduce you all to Mr. and Mrs. Jones!" 

Thirdly, I moved back to Boulder. Yes, I live here now. My house has a wonderful backyard and two apple trees, and Emmy has named the squirrel who lives outside Winslow. 

Fourthly, the Monolith Festival, Red Rocks, Sept. 13 & 14. I'm surprised I didn't have a seizure from sensory overload. Jumping from the Avett Brothers to Justice in less than six hours takes a finely-tuned mind and surly demeanor (and I posses both). Also, I discovered that sevenish pulls from the Tullamore Dew bottle IN THE CAR before the festival starts may be excessive; verdict's still out on that one.

So, I apologize for ignoring this little bloggy. Sorry for being a bad mom, bloggy. But to the approximately 2.5 people who read this blog, rejoice! For the first time since, well, since Paris, I've been writing (non-work writing, that is). It's just a bunch of little fragments right now, worthy of papier maché projects, at best. But still, I'll put in a concerted effort to post here more regularly. Surprisingly, chugging two mugs of coffee (like literal, desperate, throat-scalding chugging) and driving nonstop to Flagstaff for the wedding provided me with a lot of writing material. For example: a giant, bloated, dead white cow on the side of the road that Sean mistook for a polar bear. Priceless.

In the meantime, a poem I really love: the unruly beloved emu. Are you the reverse stork of gorgeousness?

Monday, September 1, 2008

gently furious nostalgia: two old poems


from spring 2007

phoenix IV (diagnosis)


The summer my sister came home from Sun Valley
Good Samaritan, I rooted out all the nail polish
bottles in our house and threw them away. I had heard
polish stopped sticking to fingernails after
sickness. I did not want her to see paint slip from her
fingers like fat, garish banana leaves. It was the summer of
120 degrees heat, of oven mitts worn in cars to grip
scorched steering wheels. Potted spider plants became
spindly starfish; cactus wrens haunted streets at night,
searching for glasses of chalky lemon water left on porches.
It was also the summer I learned all bodies held secrets:
my sister’s ribboned through her lymph until the
flues blocked and she was drained of her
waters like the city. After sitting in a patch of
withered dandelions, I saw the yellow streaks on
my thighs and thought I had jaundiced like her,
thought Here it comes. Yet there was no way for me
to understand. I could only twist the sprinkler and watch
the globed water net her small frame in the grass.
Outside the borders of her frayed blue bathing suit,
I watched the pale parentheses in her armpits, delineating
places where her body did itself harm. Stitches
shone like train tracks through the channels of her
groin as she crossed the dry husk of our lawn.


Upon Viewing the First Giant Squid Caught on Video

I anticipated this. Before you existed
in the world, I often envisioned your curved beak,
plump tentacles in the green sea, eyes Frisbee-big.
The largest eyes of any animal on the planet.

Glutted with books, I knew your red skin,
the secret barbs in your suckers
to catch and rip fish. I knew you well.
But old friend, to watch you die
after putting up quite a fight — to see you

caught on hooks, the thin brown
cellulose of film where you cannot
escape, where you will struggle
on the knife-grey water
causing the injuries that killed you —

I did not know this, the limp body slide
of a baby by giant squid standards,
never saw froth and pulp on pale eyes,
dead limbs animated, dancing with waves.

You should not have died. But we wanted
you here with us, not in your home
where we cannot see you, where sunlight
never reaches. I am sorry, but please understand:

We know nothing of you, except the
broken plank dreams left in your wake,
and that one day we will all swim forever
across the terrible water toward your brothers.

Wednesday, August 13, 2008

Wednesday, August 6, 2008

the brother returns home

Dennis is coming home Friday for a few weeks before he heads off to Sedona to get hitched! I've been trying to clean his room for him, but unfortunately, all the detritus of my life has overflowed into his room, so I'm afraid he's gonna have to be living amongst all of my excess clothes/paintings/books/broken lamps, etc.

"You know, time and space are essentially the same thing. So with Daylight Savings Time, do we save space as well? Because my closet is really crowded." — Dennis, circa 2006

I can't wait.

Sunday, August 3, 2008

scrabble, anyone?

Lately I've been having a lot of fun with Scrabble. As in, I pick some of my favorite lines from poems, songs, whatever, and try to Scrabble-ify them. Some are impossible to do, but I totally nailed one earlier tonight:



It's hard to see, but it says "writhe and bear the fruit of screaming," and it's from Frank O'Hara's "For Grace, After a Party," which is one of my favorites:

You do not always know what I am feeling.
Last night in the warm spring air while I was
blazing my tirade against someone who doesn't
interest
me, it was love for you that set me
afire,
and isn't it odd? for in rooms full of
strangers my most tender feelings
writhe and
bear the fruit of screaming. Put out your hand,
isn't there
an ashtray, suddenly, there? beside
the bed? And someone you love enters the room
and says wouldn't
you like the eggs a little

different today?
And when they arrive they are
just plain scrambled eggs and the warm weather
is holding.


I'm easily entertained (obviously). I suppose I should be focusing on writing my own poetry instead of Scrabbling other people's poetry. Eh, blargh. Oh, and I found the bridge from my very very first fiddle, which was no longer than a longish knitting needle, and which I grew out of when I was 8 years old. It was in the Scrabble box. Weird. The GDAE I penciled on it to help me remember is still visible. I'm going to make a necklace out of it. Like I said before, easily entertained.

Wednesday, July 23, 2008

mutatis mutandis

I find way too much weird stuff on the internet. I wrote this for my thesis, in response to Shelley Jackson’s Half Life:

Mutatis Mutandis

In my memories, the glass separating me from the Two-Headed Boy was not actually glass, but rather a sort of lucent film. The hairs on the two heads waved slowly in the murky liquid as the boy floated, his motionless form occasionally knocking against the glass as though he was attempting to nose his way out of his amniotic pouch. In my memories, it is when the glass begins to stretch and bend under his force that I remember this scene probably is not from my memory at all. It probably never happened, was just seeped into my head by the floating Braille foam of imagination.
I used to ask my mother if we’d ever visited a museum that held a two-headed boy, but she always balked at the idea of such an oddity. I don’t know where the memory comes from, but those two heads with their black hair and closed eyes are as clear in my mind as my own reflection.

~

WHICH OF THE FOLLOWING ARE TRUE OF YOU? (CIRCLE ALL THAT APPLY):

•I sometimes have the feeling that someone is looking over my shoulder.
•I sometimes have the feeling that someone is looking through my eyes.
•I sometimes have the feeling that I am looking through my own eyes, i.e. that my self and my eyes are not identical but keep a certain distance.
•I'm butting my head against a wall, and the wall is myself.


“Remind me, why do I have to fill this thing out?” I asked Petra.
Petra set her notepad on the side table and leaned forward in her chair, giving me a hard look over her thick, plastic-framed glasses.
“I told you, Blanche. It’s just a little experiment. Something new I’m trying with all my patients who exhibit your symptoms.”
“What symptoms?”
“Well, your paranoia, for example. Your sense of a haunted past. We weren’t able to dredge up anything with hypnosis, so I’m trying something new.”
I sighed and read on.

•It sometimes strikes me as preposterous that so many different people feel entitled to call themselves “I”.
•When I say “I,” I have the feeling there are several people involved: the one talking, the one talked about, the one listening, the one observing all the others.
•When I catch sight of myself in a shop window, or hear a recording of my voice, it takes a moment to recognize myself.
I circled all three.
•Parts of my body are mysterious to me.
“My eyelid sometimes twitches involuntarily. Doesn’t that happen to everyone?” I said, smirking. Petra simply raised her eyebrows.
•When my reflexes are tested with a rubber hammer, I often wonder whether I am pretending to kick or just kicking.
•I sometim
es feel that part of me is devoted to some activity in which I have little say.

Circle.

•I have eyes on the back of my head.
•I am invisible.
•Nobody knows me.
•I sometimes have a feeling of dĂ©jĂ  vu.
•I sometimes feel like I see the world backwards and upside down.
•I sometimes feel like I'm the wrong size and shape, that my real self is much bigger, smaller, or simply different.


Circle.

A small drawing on the next page depicted a boy putting his pants on backwards, each foot inserted into the bottom cuff.

WHAT IS WRONG WITH THIS PICTURE?
•The pants are on backwards.
•The boy is on backwards.
•Where is the floor?
•There is nothing wrong with this picture.


I passed a glass paperweight from Petra’s desk between my hands as she wrote down the name and address of the new doctor she wanted me to see, Dr. Shelley. The sphere was heavy in my palms, and cold. Ghosts of my chilled fingerprints lingered on the glass.

~

Sometimes in my memories, I have a sister. I know she looked like me, but her features are blurred and infantile. When I used to sit on the floor of my mother’s closet, my nostrils full of the leather smell of her shoes, my twin was there. Her small hand rested in mine as we whispered to each other. She used to point out the patterns in the woodgrain on my old oak dresser—the arches and curves of the lines looked like a cave to her—and create stories for me, stories of blind cave creatures. Her hand looked like a white star as she placed her palm on the wooden drawers. This memory is unlike my memory of the Two-Headed Boy, because from the beginning of this memory, there is not doubt in my mind that it is not true. I don’t have a sister. But then where do these memories come from?

~

I assumed the baby was a boy, but there was no way to tell from the black and white drawing. The furrow between its legs sprouted not sex, but another torso, two more arms and another head. The head was smiling, raised slightly to glance upwards over the bridge of skin and organs that separated it from its counterpart. One leg projected from the wrinkle of the baby’s hip, ending in a fan of mismatched, spatulate toes. A long crease replaced a belly button, leading into buttocks and two more bowed, fat baby legs. The baby’s skeleton must look like a chalky, spindly starfish, I thought as I traced each limb with my finger, wondering why Dr. Shelley would hang this in her waiting room.
“Blanche Adams?” A squat nurse poked her head from behind the oak door. “We’re ready for you now.”
I followed the nurse—Peggy, her nametag said—down a long corridor. No doors had been left open, but I could hear murmurs behind them. I thought Peggy would lead me into a room to wait for Dr. Shelley, but we instead walked through the doors at the end of the corridor, where several large white machines waited, hollowed out like insect husks. The drone and whir of the nearest machine filled my ears.
“If you could remove your clothes and put this on, we’ll get the tests started as soon as possible,” Peggy said, handing me a hospital gown.
“What tests?” I asked.
Peggy consulted her clipboard. “Looks like we’ve got you down for a CAT scan, MRI, and thoracic X ray,” she said.
“Why?” I asked, bewildered.
“Your doctor faxed over the results of your questionnaire. This is just standard procedure for someone with your results.”
“My results?” I asked. “It was just some mind-trick test.”
“Dr. Shelley thought it’d be best to take a look at your brain and other organs, just to make sure,” said Peggy, smoothing down the tissue paper on the vinyl-covered pillow of the nearest machine.
My ears rang with the word tumor, and every medical textbook picture I’d ever seen ran through my head—the glossy blue clusters corded with thick veins, clumps of tissue tucked between folds of the cerebral cortex like the miniature hearts that belong to mice and other small mammals.
“Do I have a tumor?” I asked. I was outside myself.
“That’s what we’re going to find out,” Peggy said before she left the room to allow me to change.
Malignant cells hanging from ribs like moss, crawling up my spine like ivy.

~

Dr. Shelley examined the CAT scan of my braincase on the computer screen. I searched through the rings of red and purple glowing lines that denoted my brain tissue, but I found nothing. When I tried to envision it, my skull always held cavernous, unchartable depths; however, on the cathode rays of the screen, it looked small and insignificant.
“Well, I don’t think it’s a craniopagus parasite,” said Dr. Shelley, circling the crown of my head with her pen. “We’d see a lot less epiphyseal closure in this area.”
“Wait, I’m sorry. So it’s not a tumor?” I asked. My head felt light and hot, as though it was filled with cotton. “I thought the MRI showed a tumor.”
“There’s a tumor in your chest. I’m saying you don’t have a craniopagus parasite in your head. A type of duplicata incompleta. It’s what would have been your twin, attached to you,” said Dr. Shelley.
“I’m sorry, what would have been?” I asked.
“Yes. It would have been your twin, if its development hadn’t been stunted in the womb.” She handed me a packet of papers. “Didn’t Petra tell you anything about this?” Dr. Shelley asked.
“No.” I looked at the papers Dr. Shelley had given me.
The explanation is relatively simple. Conjoined twins are divided into groups from the area of conjunction, one of the groups being craniopagus twins, i.e. joined at the skull. In rare instances, the body of one craniopagus twin atrophies in utero due to deficient placental blood supply, and the result is craniopagus parasiticus conjoined twins, where the ‘normal’ twin has a parasitic head and rudimentary body attached to the crown of the head. The second head normally grows quicker than the lower one, probably due to hydrocephalus caused by defective venous drainage.
A picture showed a two bawling infant heads fused together. The upper head did not reach further than a neck-like stump, vegetal and shrunken, a small peach. Its skin was veiny and lucent like the ears of a rabbit.
“Oh my god,” I said.
“I have video,” said Dr. Shelley. “If you’re interested, I can show it to you. There’s a really great part when its mother gives it her breast and the lips attempt to suck.”
Individuals with buried craniopagus parasites often have the feeling that they are not alone. Moreover, they feel they possess a sort of guardian or alter ego, someone who watches over them, but who sees things they do not see, or sees the same things, but from an inverse perspective. They are occasionally stirred by sensations that have no identifiable source within conscious experience, and occasionally perform unintended actions, e.g. putting away the milk in the freezer, that seem to reflect some sort of logic, but a logic that is back to front. Usually, though, this is a source of secret satisfaction, as it may be the case that what seems to them their worse mistake may be in fact their salvation.
I ignored Dr. Shelley’s offer to watch the video. The peach pit neck and O-shaped lips disappeared and I saw only the Two-Headed Boy. “I used to have one of these?” I asked.
“No, I don’t think so. But I do think,” she said, sliding the X-ray of my chest under a metal clip, fastening it to a glowing screen, “that you have a duplicata incompleta. You contain your incomplete, undeveloped twin in the form of a tumor right here.” She circled a smudge of white below my left ribs.
It sometimes strikes me as preposterous that so many different people feel entitled to call themselves “I.”
“I’m surprised you’ve never heard of this before,” said Dr. Shelley. “The twofers are getting pretty popular nowadays.”
“Twofer?”
“Dicephalus dipus dibrachius. Conjoined twins who share a body. Two-headed people,” she said.
“I’ve heard of it,” I said. “The Two-Headed Boy of Bengal. I’ve heard of him. And I think,” I paused. “I think I’ve seen it before.”
“On TV?” asked Dr. Shelley.
“No, I don’t watch the news,” I said.
“Oh, these guys aren’t on the news. They’re usually on the talk shows.”
“I thought those were fake,” I said.
“Most people do.” Dr. Shelley sighed. “I’ve been on Oprah twice. I think the Farber twins were on last month, actually.”
I didn’t know who the Farber twins were, but I had seen the Two-Headed Boy, floating behind his glass. I didn’t mention this to Dr. Shelley. I simply continued shaking my head, no, no.
“How can you be certain?” I asked.
“I’ve spoken with your psychiatrist, and Petra felt your paranoia, the haunting impression that your life could have been entirely different and something has gone wrong, made you a prime candidate for duplicata incompleta.”
“It could just be a tumor. Lots of people are paranoid.”
“Yes, but if you look here,” said Dr. Shelley, pointing to small white speckles on the X ray, “you can see that your tumor is growing teeth.
I looked at the string of white dots hanging from my ribs, illuminated on the screen like Christmas lights, and promptly vomited at my feet.

~
Twofers, I learned from the material Dr. Shelley sent me home with, have two hearts. I remembered from my books that vampires also have two hearts. One heart beats with goodness, the other with evil. While the good heart beats, the vampire is harmless, but there is always the risk of the second heart taking over, wetting its chin with blood. I wondered which heart I’d inherited.
Dr. Shelley said the twin buried in my chest likely did not have a heart, and if it did, it wasn’t functioning. But despite Dr. Shelley’s reassurances, I still felt it thrumming—a low, quiet vibration, like a leaky valve. Motionless, the sullen blimp of my twin hung in the empty space. I couldn’t see it, but I knew it was there, fattening.
When I thought about myself—myself, was I still myself? Or was I now myselves? When I thought about myself, I sounded like a bad riddle, (What has teeth but is not human? A comb!). What if my twin wasn’t even a girl—what was I then? I often turned to the pamphlets Dr. Shelley had given me. I realized I had the telltale sense that there was another life buried within my own, but that I have choked or stifled it. Or maybe it has, of its own accord, turned on itself? I could not tell.
I could feel the pulpy mass growing heavier and knottier in my chest. I imagined it was growing fibrous veins of its own, tendrils snaked through the valves of my heart, leeching away my blood. This could not be the same twin from my childhood, that benevolent sister of my youth. The picture of the undeveloped twin in the pamphlets resembled a stuffed turkey, limbs folded back in on themselves, spine curved over tucked knees. All that remained of the head was a shriveled, radish-shaped peninsula jutting from the neck.
You tend to be suspicious, to suspect others of carrying a secret, when you are the one with the secret—a secret that you do not know and will never know. Unable to determine what is wrong, you scrutinize yourself for signs of a contrary will, but in every respect you resemble yourself: you are normal. This strikes you as an almost unbearable deceit; if only you could let yourself express... express... what?

~

Dr. Shelley said I needed to decide whether or not I wanted to keep my twin. “The labs show it’s not malignant,” she told me over the phone, “but there’s not telling how much longer it will continue to grow.”
“Grow?”
“Yes,” she said, static singing across the phone lines with her voice. “As long as it—the entity—is connected to your blood supply, it won’t diminish. Some twins grow until they’re almost as big as newborn babies. I once extracted a skeleton the size of a pigeon from a woman’s abdomen.”

~

Dr. Shelley arranged for me to meet with a surrogate twofer I could relate with, someone who could help me make a decision. There were no twofers living in my town, so my assigned mentor had to travel an hour to get to me. I met her—them—I met Willow and Diane in a coffee shop down the street from my apartment. I didn’t actually meet Willow, as she slept the entire time.
“Narcoleptic,” Diane said before even shaking my hand, crooking her head to point across the cradle of neck to her sister’s slumped head. “She once fell asleep for an entire year. But she’s only been sleeping for eight days this time.” Diane shrugged their shoulders—I imagined she must have nearly full reign of the body while Willow slept. “She’s had chronic narcolepsy since we were twelve,” Diane said.
“My doctor says I have chronic suicide,” I said before I could stop myself. Something compelled me to divulge this personal information to Diane and Willow: perhaps it was the way everyone in the coffee shop was staring at them—I wanted to make the scene more intimate. Or perhaps it wasn’t me at all, I thought, considering the clump of cells in my chest.
“What’s that?” Diane asked politely. She rested her chin in her right hand, brushing her dark hair out of Willow’s face. Willow’s hair was cropped much shorter than her sister’s.
“It just means I subconsciously make my life bad, but never actually end it all.”
Diane nodded. “So, you have a foetus-in-foetu?” she asked.
“Is that the same thing as a duplicata incompleta?”
“Yes.”
“Then yes, I have one of those,” I said.
“How do you feel about that?” she asked.
“How do you feel about having two heads?” I asked, then immediately clapped my hand over my mouth. “Oh, that was rude,” I said.
Diane threw her head back and laughed, as Willow’s head jolted slightly from the vibrations of laughter in their chest. A small drop of saliva fell from Willow’s lips, hitting the collar of their shirt. Diane didn’t seem to notice. “We’re used to it,” she said.
“What I meant to ask was, how do you feel about sharing your identity with someone else? I said. “Don’t you feel that there should be something that is intrinsically yours?”
“No,” said Diane. “I think people like us—myselves, yourselves—I think we who share our identities are a better example of true humans. We all share pieces of ourselves with other people. And sometimes other people get under our skin so thoroughly they never leave us.”
“Hm.” I mumbled. Are my innards riddled with other people? Is nothing purely mine?
“When you think about yourself, there are already two of you—you and the you who is thinking.” Diane said, pulling a napkin from the dispenser. She drew something with black pen, then pushed the napkin at me. I saw a bracketed I:
[I]
“When you think about that, there are three of you—you, the you who is thinking, and the you who is thinking about the two of them.” Diane drew:
I[I[I]]
“Look at that,” she said. “Now there are four of you:
I[I[I[I]]]
I put my hand over the hollow below my ribs where my twin rested. Was it listening?
“Isn’t that neat?” Diane asked. “You’re an example that infinity is not far away, not in the voids of outer space or the grains of sand on a beach or all the raindrops collected in the ocean.” Willow gave a satisfied, sleepy grunt, and her eyelids quivered.
Any human being is big enough to get lost in, no matter how small we look pressed against the glowing hospital screens.
“I think I saw a twofer when I was little,” I addressed Diane, although I was still watching Willow’s eyelids. “He was in a glass case, floating.”
“We’ve seen him too,” Diane said. “The Two-Headed Boy.”
“Where did you see him?” I asked.
Diane shrugged their shoulders again. “No place real.”
She must have noticed my face fall, because she reached their left hand across the table, placed it on mine and said, “It could be worse. We could be microcephiles.”

~
In my memories, the glass begins to stretch and bend under the Two-Headed Boy’s force. Glass bulges forward until it deflates like a plastic bag and rips. Green water issues slowly from the case, like water from a faucet. I take a step backward as the loamy-smelling water gathers around my ankles. The Two-Headed Boy unfurls himself slowly like a scroll and wraps his two arms around us, careful to cradle our head in the gulf of neck between his two heads.


Monday, July 21, 2008

area: no measure of depth

When I was 15, I was obsessed with — surprise! — Emily Dickinson. If you're a teenaged girl, I think it's required that you go through a phase of either Emily or Sylvia Plath. My Plath phase didn't come till I was 18 (man, and I was a total downer then). Anyway, I read all her anthologies, all the biographies. As she described herself: "I am small, like the wren, and my hair is bold, like the chestnut bur, and my eyes like the sherry in the glass that the guest leaves." How could I not love that? I used to grow heliotropes in my garden, because I once read that she requested she be buried with a handful of heliotropes "to bring to my (...)." George? Shit, I forget his name. Some guy she supposedly loved who died before her. In fact, this summer I had some heliotropes in a pot on the porch until my mom let them die when I was out of town a few weekends ago (for a woman who saves people's lives, she's a horribly unskilled gardener).

Anyway, I thought of Emily Dickinson the other day. The first time I've really thought of her in nine years. I thought of her because I've been mulling over the idea of location. I've been here since February, and soon I'll be back in Boulder. And I want to go to school in Seattle. San Francisco. New York. Austin. Chicago. Portland. Prague. Santa Fe. Oxford. Middlebury. I don't know. Sometimes I miss living in Paris so badly that it feels like I have a big, baguette-shaped piece missing from my life. I want to move to Brazil. Actually, I want to move to New Zealand. Or both. Maybe Russia.

I was at my desk looking up how to obtain a work visa to live in Reykjavik, and I found a quote: "A ship in harbor is safe, but that is not what ships are built for." How appropriate, I thought to myself. How fitting. (I later looked up this quote on Wikiquote and learned that "this quote has gained popularity among Facebook users as of April 2008." Blurg). 

And then suddenly, I thought of Emily Dickinson, who never travelled more than 60 miles from her hometown. Okay, I don't remember how many miles exactly. But not very far. And I suddenly felt so suffocated at my desk, and so, so sorry for Emily Dickinson. And, you know, I did the normal freak out: I calculated how much money it would cost me to live in Paris again, looked up plane tickets, searched hostels, browsed ebay for kickin' old luggage. 

But then I remembered another quote I once read. After Emily died, her sister, Lavinia, found the 1,800 poems that Emily never had published. And on a scrap piece of paper, she found something that Emily had scrawled out hastily:

"Area: no measure of depth."

And I felt like an asshole for feeling sorry for her, and for feeling sorry for myself.

Tuesday, July 8, 2008

"There's an awful lot we miss"

Usually my job is pretty entertaining. Karl, my editor, and I like to make fun of the pictures of babies, weddings, and other randoms people send in to be published in the paper ("I wonder if she realizes she birthed a potato?" "Oh, I see Ichabod Crane there secured himself a lovely bride."). However, reporting in this town has been getting me down lately. I get pretty sick of trying to organize the messy sphere of human affairs in print. Sure, I meet a lot of interesting people and nutters (like the woman who believes she is periodically impregnated by the Council of Twelve, a group of otherworldly beings who use her body to produce the Children of the Violet Ray of Wisdom. No joke). But lately I've been trudging through the banal: school board meetings, kiddie fishing tournaments, town council votes. This weekend I had to go to the local production of "Oliver!" the musical. As much as I love watching kids dressed as scrappy Dickensian orphans sing and dance and celebrate child abuse and poverty in Victorian London, I really wasn't feeling it. Plus an old man yelled at me for taking pictures: "You knock it off and get out right now!" I was so furious and humiliated it made me cry.


That being said, I wasn't thrilled that I was slated to write a quick piece about the local worm farm this week. Oh my god. Worm farm. I was positive I was going to be murdered and turned into mulch. I imagined some horrible, eyeless, hook-mouthed monster rearing out of the soil and crashing down on me while the fanged farmer cackled in the background. Luckily, our local worm farmer — Jody, I believe, is her name — called and cancelled our appointment Monday morning. She told me the influx of tourists fishing over the Fourth of July weekend had completely wiped out her stock. I was off the hook (oooh, bad pun!). So instead, Karl sent me to interview an old man who had called the office and told us he had just met up with a childhood friend he had not seen or talked to since 1943. "Go write something to tug on the withered old heartstrings of this community," Karl told me.

So, I met the old friends, Jim and Glenn, at Jim's home, where they were sitting on the couch talking when I knocked on the door. Jim wore the hugest plastic-framed glasses I've ever seen — you know, the type that would look totally hip on someone in The Downer, but on an old guy, just look necessary and utilitarian. They introduced me to their wives, Elizabeth and Fern, respectively, and offered me a seat. Before I could even start asking them questions, they wanted to know everything about me. Jim and Glenn grew up together in small town Illinois, so they were absolutely fascinated by my Irish and Russian origins in Chicago (I left out the part about my grandmother losing her thumb in a factory when she was eight years old; I guess "Oliver!" was still too fresh in my mind.) They acted like the fact that I was born in Arizona and grew up in The Valley was a great achievement on my part (old people love Phoenix). When I told them I'd studied creative writing and French in school, Elizabeth wistfully murmured, "Oooh my, French," to herself.

I finally got them to start talking about themselves, and ended up listening for two hours. Glenn and Jim used to double-date with a pair of twins (haaaawt, right?), before Jim graduated and moved to Springfield and Glenn dropped out to work on his mother's farm. That was the last time they saw each other before their reunion Sunday. Glenn and Fern just happen to go to church in Illinois with Magel, "the gal Jim used to go with," and out of the blue, she asked Glenn if he'd talked to Jim. This prompted Glenn to look Jim up and contact him. They told me all sorts of sad stories and funny stories, a few of which I put in my article. When I asked Glenn how he and Fern met, he couldn't remember, until Fern said, "Well, you used to come watch me roller skate, then one day you asked me for a date." This, of course, melted my cold and surly heart, as I imagined a young Fern with curled hair and lipstick, red polka-dot dress swishing in time with the movement of her skates, and Glenn nervously folding and refolding his handkerchief as he gathered his courage to ask Fern for a date.

I really like talking to old people (when they're not yelling at me in musical productions, that is). But the entire time Glenn and Jim were talking, the only thing I could think about was how easily the people we love and care about slip away from us. Even today, with cell phones, email, facebook — blogs — it's so easy for people to disappear. When someone's been out of your life for long enough, it can feel like they're dead. Sometimes, if you really never speak to them again, they might as well be. And people we've only just met can leave as quickly as they came into our lives. It made me think about the friends, and others, I once loved who I haven't spoken to in years. I don't even know where some of them are. Reilly? Casey? Scarlett? Ron? They could be anywhere. Or the people I barely get to see or speak to because they're across the state, or the country, or the world. Or the people whose location I know, whose phone number I know, but I still can't talk to them, or see them. How do we make it so easy to lose track of each other? There are so many people on the peripheral I've lost, and quite a few on the center stage I've lost and miss, too, and I don't want 65 years to pass before I find them again. Because I might look cute and ironic in giant glasses now, but when I'm 88 years old, I'm sure I'll just look utilitarian, too.

When I asked Jim and Glenn what one talks about after 65 years of no contact, Glenn said, "Oh lord, everything." And Jim said, "You wouldn't believe it, we haven't stopped talking...except to go bed. There's an awful lot we miss."

I'm not just some chick



I didn't tell anyone about this blog when I started over two years ago, then I deleted most of it. Secret blog? Dumb idea, Sarah. I get paid to sit at my desk and fiddle around on the interwebs anyway. A blog seems perfectly in order. How else am I gonna keep up with the cool kids? My Wayfarers are knock-offs, and I fell on my polaroid camera and smashed it, so I'm way behind the times. So let the blogging (re)commence.